| "Hurry up and open the door." I said impatiently. "Listen Steve," Marid's
voice was unusually calm in the face of such excitement. "If we rush things and end
up damaging this temple door, I don't think you could forgive yourself."
He was right. Ever since I
was a student back in the states I remember feeling revulsion towards archeologists who
damaged sacred places just to get at what was inside. I could never understand why the
first Egyptian archeologists used dynamite to gain entrance to the pharaoh's tombs. They
destroyed many a wondrous artifact in the blind hunt for treasure.
Just as my train of thought
brought me back from my school days, Marid successfully unlocked the temple door. It
slowly creaked open; revealing a dusty hallway that had not been seen in over a hundred
years. The hallway was lined with circular columns similar to those found in many other
Tibetan temples. The columns were engraved in familiar Tibetan writing. The walls were
adorned with brilliantly colored paintings; many depicting the different forms of Buddha.
At the end of this hallway lay an alcove and, presumably, the chest we were looking for.
As I walked closer I could see that indeed the chest was there. The treasure I'd been
looking for all this time.
The detail carved into the
old wooden chest was truly remarkable. Depicted upon the surface of the container were
scenes from long forgotten Tibetan rituals. Between the carvings were finely detailed
spiral shapes that brought an unusual flow and movement to the eye. This movement drew me
from one scene to another, creating what in effect was a very old movie. Each scene but a
frame in the whole story of this ritual, culminating in the centerpiece of the chest; a
particularly large scene depicting Vajradhara, the quintessence of all Buddhas, seated in
a diamond posture. A work of art into itself; this chest was so beautiful that I trembled
with anticipation at what treasures might be contained within.
I carefully removed the
clasp from the lid and began to open the chest. The worn leather straps crackled in
protest as I raised the lid higher. The container seemed almost indignant at the prospect
of being disturbed after a hundred years of solitude. I felt a tingle of excitement,
producing small goose bumps on my arms. I was much like a small boy at Christmas time,
anxiously opening that first wondrous gift from Santa. As I peered into the chest I saw
nothing more than books. Simple unassuming books. They were not bound in leather, inlaid
with gold, or covered in fancifully artistic renderings. This was about the last thing I
expected to find inside the lost chest once owned by the first Karmapa. The books
themselves were dirty and well worn; their bindings held together by moth-eaten reddish
cloth. The pages were torn and on the verge of collapse against the ravages of time. These
books were in sharp contrast to the beauty of the wooden chest. I wondered why such plain
books were held in such high esteem as to be held here. I carefully removed the books from
the chest and examined them. They appeared to be no more than 150 years old and were
written in English nonetheless. Not much of a discovery it would seem.
I couldn't have been more
wrong. |